Rough draft complete!

That was a truckload of emotions.

I finished the rough draft of my novel Wednesday. I am proud, I am relieved, I am sad, I am trying not to think how much more work there is to do because I have FINISHED this first and most difficult part! The novel exists! All 65,000 words, 35 chapters, they are real and I can begin the process of editing them!

In three to six months, that is.

I have been workshopping chapters with a couple of writing groups, collecting comments and questions and scribbling notes on my hard copy. However, except for the occasional submission, I haven’t gone back and reworked the text. I feel that if I don’t have this rule for myself, I will fall into a loop of endlessly editing the same parts and never progressing with the rest of the novel.

I am even going to put the manuscript into the file cabinet. It’s an important symbol, and perhaps I can trick my subconscious (unconscious?) mind into forgetting the novel and focusing on other things. I want to create emotional distance and come back to my book with fresh eyes, ready to start being ruthless with my comments. If it’s anything like seven years ago, I’ll be pleasantly surprised by how much of it I like.

Of course, toward the end of the entire process, I started asking myself if the story might not work better if told from the first person. My brain screamed, and I told myself to think about anything else, because most of the book was already done in third person and I wanted to have a consistent finish. It’s the sort of thought that could set me down a path of endless revision, so it was better set aside for later. Something to consider when I read the draft a few months from now.

The sadness comes in saying goodbye, of course, though it’s only for a little while. The goal is to work toward a greater goodbye at a later date, when I let go of revision and put the novel out into the world.

Better not to think on that for now, though.

The aftergloom

There’s a curious thing I’ve noticed that happens to me after a performance, and the better the high, the harder I crash. I had the opportunity to speak about it with my therapist the first time it happened, and her reaction surprised me. To her, it was obvious that I might feel like absolute garbage the day after a huge rush of positive emotion.

Now, I can’t fully blame this phenomenon for my silence. Unemployment has stretched on a bit longer than usual, and I’ve been slow to find a job. I just received my first pay from Starbucks and it was like a breath of oxygen into a cold and dusty chamber. I also really enjoy making coffee and chatting with people? Who’da thunk!

All this to say that taking my boyfriend’s tips for bus fare and not wanting to socialize because there aren’t enough coins for that is FUCKING EXHAUSTING. It’s hard to squeeze out any creativity when I have no idea if I’m about to get another NSF fee (can you believe I used to DEFEND those when I worked for the bank? Ridiculous!). I’m not out of the woods yet, but now that steady income is restored, I miraculously find myself with energy to write!

So, THIS show. I’d been playing with this story idea since the summer, when I decided to tell it at the last minute at an open mic. I got some applause, I felt some validation, but the story felt largely incomplete and I set it aside without knowing how I wanted to improve upon it. Plus I rushed so fast that five minutes somehow became three.

Then I found out that one of the upcoming themes for Confabulation was hair. Perrrfect! I agonized over what to pitch now that I don’t write out my stories fully before performing them, but the submission form says a summary is fine, so I provided that and moved on with my life. Then I got the confirmation e-mail, wrote out a bullet sheet, and recorded a draft to send to the producer.hair bullet sheet

A large part of writing anything is turning ideas over in my head as I go about normal life, seeing how they fit together and if they’re good enough to stick around. I will write down moments of inspiration in case I can’t remember them later, but I’ve found the best elements of my stories accumulate slowly and persist over time.

The shirt coming off was a later addition, and I almost dismissed it because I didn’t think I would be able to do it. I have worn my shirt at pools, it took me years to get comfortable going out in a TANK TOP, how in the hell could I ever whip off my shirt in front of an audience of STRANGERS?

As I built the story in my head, the idea persisted and I grew more attached to it. Why shouldn’t I be able to match the emotion of my story’s end and show that I am actually fine with all this fur?

Of course, I got to the Phi Centre and was informed that the evening’s show was going to be video recorded. I felt a stab of doubt before I shook it off and resolved to end my story as rehearsed. (I wanted it to come off it one swift, smooth motion. No catching on my ears, thank you.)

There is something particularly wonderful about the stress of walking to the stage, approaching the mic, and feeling each step as a spike of anxiety. Then I breathe, and ease into my story, and I dive so far into it that stress is a quiet voice in the back of my mind.

As I told the story, beginning as an awkward adolescent and moving into my so-called adulthood, I could feel my confidence building. There was no worry as I reached my conclusion, pulled my shirt over my head, and ended my story. I was grinning like a fool afterward, proud that I had done it, satisfied with the ending.

Storytelling is magical, and I needed to come here and write that.

Honey, you got a big storm comin’

I have an immense desire to come here and write all the things that have happened since I last posted; there are several items worth mentioning. However, I feel a wave of motivation building up and I am going to ride it to the end of my rough draft. If I have any momentum left, I will return here and tell you all about it. If not, I am committing to updating at my regular time this Thursday.

Wish me luck.