Wow it’s been over a year

To remind myself what was going on, and to illustrate this expanse of silence, we will be exploring a photo listicle beginning with February 2021: Josie yawns and is adorable. No further caption required.

Shortly thereafter, I got myself into a mental bind with regard to writing and art, and it has taken this long while to untangle it enough to come back here and put some words down.

It was February 2021. I was working for BonLook, I was making CookIt meals (and occasionally having meltdowns in the unfamiliar space of cooking), and I was chatting with my friend Emma to get our stories into shape for Confabulation’s Shortest Story XI. I quietly gave my fantasy novel another crack in an orange notebook I’d written in before, keeping one page empty for notes and ideas and doodles.

Then March, and I keep pulling tarot cards, and I start learning the team leader position at work, and I struggle to add new routines to my life. It’s easiest to do something as an established routine, and I want to journal more consistently, and stretch every day, and feel better overall in my life. The fantasy project is going on in the background, for fun, but there isn’t any serious writing happening yet. Training and learning a new role takes a lot of energy.

In May, I turn to runestones (though I will barely broach the second futhark before getting distracted). I like to feel the cold stone grow warm in my closed fist, I like the sound of them rattling together in their bag, I like keeping one nearby to affirm its meaning. They’re also nice to look at.

Then we got COVID. It felt gross to think that although we had “done everything right,” we still somehow failed. While I worked from home, my boyfriend worked in retail, so the math was not in our favour to begin with. Fortunately, neither of us required hospitalization, and our sense of smell and taste were gone only long enough to startle us a little. After five days, things were looking up.

We keep on CookingIt, with a few mishaps, and certainly more meltdowns. My therapist has talked me through visualizing the outcome I desire, and preparing myself: watching videos, rereading the recipe, and seeing myself perform each step properly. It just feels like there isn’t enough time, and I spend a lot of my time feeling drained of energy.

We celebrate Orlando’s birthday in a restaurant, a first since having COVID. I remember anxiously awaiting the vaccine; health guidance was to wait 90 days after symptoms ended to get the prick. But we had a lovely supper at a restaurant with a couple of friends, it felt so “normal” that I got up to go to the bathroom at one point and was three full steps away from the table when I realized I’d forgotten my mask. What times.

Around this time, I also attended the Violet Hour Book Club and wrote the note “hopepunk” in my journal. I have no clue who said it in reference to which book, but I was glad to see it. Hopepunk. Nice.

Summer is weird. Hangouts with friends outside, although the numbers are down and so is our guard, somewhat. But then we can socialize while walking in the open air, sweating and hydrating, or on nicer days when the heat isn’t so cruel. I also spend a lot of time in Final Fantasy XIV as Vile Amethyst, a red mage who dispatches local gods and fights evil empires, like ya do.

September comes, and the COVID cases are rising and making me nervous, but I have two virtual appointments I’m looking forward to. First is my irregular meeting with my therapist, every few months to help with panic attacks or dissatisfaction with my work/writing/entire life.

The other is with École Setsuko, which I have had my eyes on for a while, another piece of advice from my therapist. Their site now mentions a payment plan, and my promotion in the late winter/early spring means I might be able to swing it, if I cancel CookIt. My therapist recommends I sign up for a day-long introductory workshop before committing, and that’s the plan.

I sign up, I sweat through it (which I was also warned of, therapy is fantastic!), and I walk home exhilarated and exhausted. I commit right away, because the workshop was on Sunday and class starts Tuesday. Within a couple of weeks, I know basic strokes, I have far more of an understanding of anatomy than ever, and I buy my massage table.

Life since September 2021 has largely been devoted to massage school, and practice, and homework. There has been some room for creative work, and there are a few things bubbling under the surface that I will mention here soon (but not yet, sorry). There was also a return to the Confabulation stage in March of this year.

Since then, I’ve continued to work as communications coordinator for Confabulation. I have continued to study hard and practice harder at my Swedish massage program, with the eventual goal of building up a private practice. I have continued to work at BonLook, though I am reducing my hours to accommodate a course for massage school.

I have also been writing, but the point of this post was to get all of the prelude out of the way. The real talk about writing is coming down the line, when I’m more sure of my feet and the direction they are taking me in. It has taken a while to claw my way to some space of decent organization, and this space is a tool for organizing myself and drawing a semblance of structure around my life.

It’s also a great way to take inventory of what I’ve been up to and realize, “Damn. I really have been busy. And that’s okay.”

See ya soon. Maybe at the Centaur, tomorrow? Confabulation is celebrating twelve years of true-life storytelling with Signs and Symbols (click the link for tickets!) tomorrow, May 28th at 8:00pm. I’ve actually been working with Emma again, helping her get her story stage-ready, and I can’t wait to see the final result!

Practice

Perhaps one of the reasons I’ve struggled so much with my identity as a writer is I don’t practice. I write to complete a project, a blog post, or a story. When Inspiration bubbles up, I’ll often do a freewrite, but that’s about it. No consistent practice.

I was talking with my dear friend Kat (who has started a tarot blog, please have a look!), who asked if I had ever read Natalie Goldberg’s Writing Down the Bones. I am a thousand percent sure someone has quoted her or this book before, but I haven’t read it myself, so I bought a copy and eagerly awaited its arrival.

(We hear a lot about thanking people in healthcare, grocery and pharmacy employees, and cleaners and sanitation workers; let’s please not forget our mail carriers who are working harder than ever during this unprecedented time of staying at home.)

In her introduction, Goldberg invites readers to pick up anywhere, read the book start to finish, whatever works for them. The book is a collection of essays on writing, not only the putting of words on paper but the entire mental process in which we reflect on ideas. I’ve known for a while that a lot of my “writing” takes place in my head, and I need to sleep on major edits; now I’m working my way through this book putting language to concepts I am only beginning to touch.

She also insists on practice, which is a thing I knew writers did, but I never understood how I might do the same. Goldberg provides a variety of ideas for a writer seeking to practice, and though I’m still making my way through her book, I have made time (almost) every day to sit down and put my thoughts down.

In doing so, I quickly ran into a barrier.

I like to write at a desk, because otherwise I’m pretzeled in my bed or on a sofa and cricks begin to develop and I groan and crack and feel like I’m falling apart. However, my desk is the tiny thing I bought for my studio apartment in Parc Ex and can barely fit my laptop, monitor, and a notebook to scribble in. I felt entirely too cramped.

I spent a good three hours assembling and arranging most of what you see here: a larger desk surface, actual organizational space, and the printer out of the way. Right now, I’m enjoying birdsong and natural light (on both sides, I got mirrors!) and a home office space that is really pleasant to be in. My writing practice has never been so smooth, and I have some interesting phrases to look at later.

I will continue to practice, which will help me to work, which will give me something to come here and write about. I say that as if I don’t have news to catch up on, but that has to be another post. I’ll be back Thursday at 5:00pm EDT.

Is it always transitions?

I had such good momentum, but autumn turned to winter and a lot of shifting took place.

First of all, I will remind myself to never underestimate the effect of darkness suddenly coming an hour earlier. I feel more pressure to use the daylight to best effect, I get mopey when I haven’t seen a blue sky in too long, and the cold can be a huge deterrent when it comes to enjoying being outside.

There has not been a lack of news.

I have been asked to curate and host an evening of queer storytelling! Chris DiRaddo, who I know as president of the QWF, producer of the Violet Hour, and host of the Violet Hour Book Club; proposed it to me, and I had no choice but to reply, “I’d love to! How do I do that?” I ended up asking several people this question, and their answers led me to ask people I know if they had stories to tell. Everyone’s got a story, but how many of us want to get up on stage and tell it to a room full of strangers?

Then I told a particularly personal story at Confabulation: Games at the Centaur Theatre, revisiting how it felt to actively lie to the partner I was cheating on. The story felt impossible to write, but a conversation with Nisha Coleman gave me the confidence to confront what I was doing (trying to avoid telling the difficult truth) as well as a page and a half of notes to incorporate into a new draft. I got it out, I practiced, and I felt all of the emotions as I told it onstage.

I always remember, but sometimes forget to feel, that whatever scares me the most in my art is what I must absolutely pursue. Like this horrifying memoir idea, but that’s on the back burner because I have a mentorship to focus on!

As of last Sunday, I am dedicating the vast majority of my creative time to working with April Ford, my QWF fiction mentor, on my novel. We already have such plans! I am making lists and trying out different synopses and we will be meeting biweekly for the next few months. There will be a reading! I will shake off this rust and make some progress with this book!

Rough draft complete!

That was a truckload of emotions.

I finished the rough draft of my novel Wednesday. I am proud, I am relieved, I am sad, I am trying not to think how much more work there is to do because I have FINISHED this first and most difficult part! The novel exists! All 65,000 words, 35 chapters, they are real and I can begin the process of editing them!

In three to six months, that is.

I have been workshopping chapters with a couple of writing groups, collecting comments and questions and scribbling notes on my hard copy. However, except for the occasional submission, I haven’t gone back and reworked the text. I feel that if I don’t have this rule for myself, I will fall into a loop of endlessly editing the same parts and never progressing with the rest of the novel.

I am even going to put the manuscript into the file cabinet. It’s an important symbol, and perhaps I can trick my subconscious (unconscious?) mind into forgetting the novel and focusing on other things. I want to create emotional distance and come back to my book with fresh eyes, ready to start being ruthless with my comments. If it’s anything like seven years ago, I’ll be pleasantly surprised by how much of it I like.

Of course, toward the end of the entire process, I started asking myself if the story might not work better if told from the first person. My brain screamed, and I told myself to think about anything else, because most of the book was already done in third person and I wanted to have a consistent finish. It’s the sort of thought that could set me down a path of endless revision, so it was better set aside for later. Something to consider when I read the draft a few months from now.

The sadness comes in saying goodbye, of course, though it’s only for a little while. The goal is to work toward a greater goodbye at a later date, when I let go of revision and put the novel out into the world.

Better not to think on that for now, though.

I’ve been playing with pictures

I have been playing around with images for my zine. I take a lot of pictures when the mood strikes me, and some of them are interesting to look at! I’ve been looking through my library for photos I’ve taken that can be linked to what I’ve written, and I think I have some very thematic imagery so far.

I haven’t played around with this sort of thing since I was a teenager, and it’s been a lot of fun making layer upon layer and trying different effects to find one that fits the mood of the image. I must resist the temptation to render everything in blue, pink, and purple!

alley parc ex scaled

Image of an alleyway in Parc Ex, manipulated to be in shades of dark blue and fuchsia.

The full-size version of this image is up on my Patreon, which will be getting smuttier as of October 1! This means there will be naughty poetry, saucy prose, and some sexy photo manipulation. If this is something that excites you too, consider joining the $5 tier: anyone who does so will get a mailed copy of any zines produced during their patronage!

Patrons will get to see my work as I go, having access to unfinished projects and early access to finished materials. I also plan on updating more than once a week, so as soon as I’m excited about something, up it goes!

I’m also interested to hear what people would like to see in these zines! The first contains some erotic fiction, a poem with a content warning for sexual assault, and an essay on communicating in the modern era of hook-up apps. I’m surprising myself by not having much fiction happen here; I mean, I don’t exactly remember how my first sexual encounter in my first apartment went, but I think I captured the essence of the experience.

The content is currently in a Draft 1.5 space. I’m looking to continue polishing the text while I start to experiment with layout, and I expect I’ll have something concrete to show within the next couple of weeks.

For local followers, I will be carrying these around with me. For Patreon supporters, current and potential, no worries if you join after the zine is produced, I’ll have something in place to catch you up. I have so much to say about my little corner of queer life: racism, misogyny, serostigma, the awkward and varied conversations I’ve had about my polyamory… there’s enough material for many many zines!

Examining readiness again

It is always so irritating when a change of temperature brings a little cold. We’ve been having cooler weather here and I had the sore throat to prove it. Being sick increases my frequency of demotivation naps, where I can’t do anything but curl up and try to sleep the ugh away.

Despite this, I’ve gotten some things done! I pitched a summary of a story for Confabulation‘s Hair theme and it has adolescence, awkwardness, and acceptance! I’m eager to develop it into something more polished.

In the meantime, the pitch has been posted to my Patreon, in the Works-in-Progress tier. It’s a little less frightening to put that out there when I still have no patrons at this level, but there’s also the voice in my head saying, “Yeah, but it’s only a click away. Someone can read this in the middle of the night while you’re sleeping.”

Half the fun of being a writer is that ambivalence: please read what I wrote. No, wait, don’t! I mean, do, but only if you have nice things to say! Wait, I changed my mind!

I could let this go on for half an hour while I sit motionless in front of my keyboard, but fuck it. Slightly before I’m ready, as always.

Apart from storytelling, I am eyeing the last six chapters of my novel and getting ready to make my move. Like a cat wiggling its butt before pouncing! I’m excited to write my first ending to this novel! If it’s like everything else I work on, it won’t be the final ending, but I can’t revise a blank page. I have to try things.

I’m also starting to think about Fringe. I have more time to consider it, for sure, but I have a vague notion that I could write a 60-minute show… we’ll see. Maybe I’ll just have to pitch before I’m ready, as usual.

Two thirds

I have been more physically active this past week, so that’s one goal met!

I also reached a new milestone with my manuscript: I completed the rough draft for part two of the novel!

This one is particularly exciting as part two takes up the bulk of the book. We begin with Simon in Montreal in part one, he travels to Louisiana for part two, and (spoiler alert) he will return to Montreal in part three. With that chunk of work behind me, I am down to six outlined chapters remaining to be written. As outlines go, this could change before the end, but that means I am nearly done with the rough draft as a whole!

I very much look forward to setting this manuscript aside and working on something else for a bit.

In other news, a new season of Confabulation starts next Friday with Ritual! There are some interesting themes in the following month that I’d like to pitch for, but this time I’ll be a spectator. I did participate in a special outdoor Confabulation as part of NDG Arts Week! I got to tell a story in a park with some of my favourite storytellers, including Claire Sherwood and Nisha Coleman.

I think it’s time I worked on my pitch. Less talking, more doing!

Breaking 50k

Getting out last week’s post felt really good, but there was no real update there, so here we go!

The QWF has a wonderful resource called the Hire-A-Writer directory for people interested in coaching, editing, feedback, etc. Many of the faces there are familiar to me from social gatherings, and a friend of mine recommended Elise Moser from her own experience.

Many of the chapters of my novel have been workshopped on an individual basis, often submitted in pairs of consecutive chapters, but I needed someone to look at a larger piece and tell me whether I’m on the right track. I communicated with Elise, who put me at my ease immediately. After a brief exchange to clarify what I was looking for, I submitted the first six chapters of the novel and tried to put it from my mind and work on other things.

I got feedback a lot quicker than I expected! The short of it is, I am heading in the right direction, even if I have a lot of ground to cover. Elise provided excellent points for me to work on, and as a result I’ve drafted a new opening chapter. This makes my third attempt at beginning this novel, which is fine; the beginning is the most important part. It determines whether a reader continues along this journey with me or moves on to something else.

I’m submitting to my primary writing group, and I can’t wait to hear how they receive the new chapter. I have Elise’s notes for the remainder of the opening chapters, but I’ve been focusing my efforts on completing the rough draft. I have pushed past 50,000 words and nearly completed part two of three; I have seven more chapters outlined and that’s it. The rough draft as currently outlined will be complete.

Facebook was kind enough to remind me that it’s been a year since I sat down and outlined this book. I had recently returned to Louisiana to visit family and those experiences were fresh in my mind. I had been cultivating ideas of home and belonging ever since I moved here to Quebec, some eleven years ago. It feels like I built a framework then, and I have been steadily adding to it for a year so that now I have something that is beginning to take shape.

As slow as progress feels sometimes, I can look back on this and feel proud.

In other news, I’ve been invited to perform a story that appears in Claire at a special pride edition of Confabulation! Tomorrow night, I will be telling the story of how I met Mathieu, which began a chain of events that led to me moving from Lafayette, Louisiana to Blainville, Quebec. Come hear the tale at le Ministère tomorrow at 9:30pm!

Let’s build some momentum!

Patreon is live! I have managed to secure one entire patron! She is also my sister and thus has already put up with far too much of my nonsense. Thank you, Kiera! ❤

I have also managed to write a poem, which was fun. It was easy to take my current frustrations (my cell phone) and turn them into something that had an interesting flow. I hear there’s another Breathing Space coming up, maybe I’ll put a few together and share them in public. It’s bracing.

I’ve been focusing on being more active in my notebook. When I’ve worked desk jobs, it was always open and ready on my desk, and I’ve written down some interesting things since I’ve started. I can use my notebook when I’m at home as well, and for more than just the tarot card of the day. I’m actually writing this post from a bullet list I made in my notebook and posted to Patreon (because I have no idea what kind of content people want to see, so I’m trying things and this one turned out really practical!).

Goals for the next week include increasing my word count on Claire, exploring poetry a bit more, and maybe doing something that is neither to practice my flexibility. I could set a date for myself to hang out in the Atwater Library and do some writing sprints. It’s just so hot all the time!

Short update!

So fluctuating confidence is a thing for me, but by this point I’ve done enough that I’m able to consistently remind myself that I’m not lacking in accomplishments. I have been producing content in the form of short stories, oral performances, and a good chunk of a rough draft of a novel. Yes, I worded that intentionally.

I am working on things, and I am gonna get off my ass and come here to talk about it once a week. I want to hold myself accountable, as well as motivate myself to continue this momentum. It’d be pretty fucking embarrassing to come here week after week with my hands in my pockets going, “Um, well folks y’see, it’s been a really busy week, and…”

No. I have got shit to do and it’s time to get to work.

I have Shut Up & Write this Saturday—actually, I forgot to register, so I’ll sleep in and write at home. In my office. With the silly, colour-changing lights I like so much. I’ll put some music on the google home and increase my word count.

I’ve been looking at Patreons, wondering how and why I might want to make that work for me, and I’ve decided to put one together. I’m making myself a commitment to set that up and come talk about it more next week.

It’s part of my plan to motivate myself to express myself through poetry a bit more often. Lately, if I’m feeling a particular way and it gets dialed up to eleven, I tend to put down a few lines and then look away and pretend they didn’t happen. Probably because the poetry I wrote in high school was absolutely overblown and florid and saccharine. Well, hopefully I’ve developed some taste since then, and a weekly poem isn’t too much to offer people in exchange for money. It also sets up some structure (more motivation, yay!) and gives me a place to potentially share tidbits I’d rather not put out for the entire public to view. Only interested, paying parties.

Um, but like I said, I’ll talk about that more next week. Ideally with a video is what I’m thinking.

That’s probably enough to get done in a week’s time. Stay tuned for the update! I swear!