One of the things that I learned about in my storytelling workshop is Confabulation, a personal storytelling event with monthly themes. I had an idea for December’s “Family Stories,” but that event was set for December 8 and the idea was all that I had. Still, I reached out to ask when the submission deadline was, and dove into expanding my idea.
It took me a week to work up to a third draft; I was satisfied enough to submit. By this time it was December 2, so I was not at all surprised to receive a message the next day stating that the event was full. Oh well, better luck next time.
Two days later, I woke up to a facebook message from Nisha telling me to check my inbox. I practically flew out of bed and ran to my computer.
Someone dropped out and I was being invited to take their spot! It’s December 5, the event is in three days. Luckily, I would be workshopping my story with Nisha, so I eagerly awaited her notes while I got ready to go to work.
The next three days passed in a bit of a blur; I read her notes, tried to process them throughout the day, and came up with edits that I would apply as soon as I got home. There would be more notes the next morning. By Friday night, I started to recite what I had and time it, cutting out parts that sounded clumsy, changing the wording to better fit how I speak.
I arrived just before 7:00, was directed to a coatroom where I changed out of my boots, and went into the room. I had been to Confabulation once before at the Centaur; this month’s event was being held at the Phi Centre, and the setup was a little different. Lots of seating, and really fucking close to the stage. I helped myself to some water and chatted with a fine trio of people while waiting for everyone to arrive.
Matt Goldberg explained to me how things would work, took me up on stage, and offered a lot of encouragement. Standing on that stage, even before the chairs were filled, was nerve-wracking, but I appreciated getting a chance to be in that space before it was time to perform. He told me I’d be going third, closing out the first half, and I picked a seat toward the back. Nisha asked how I was feeling, I gave her the short version, and I started working to mentally prepare myself.
I was able to forget my stress a bit as I watched the first two storytellers; I got pulled into their tales, and was able to enjoy their performances. Then Matt is introducing me and I realise I have to pee; I walk up to the stage repeating my thought of confidence, confidence; and as I stand up there before the microphone I notice that my mouth is completely dry and I have to open it and speak.
As at the showcase, the performance passes in a blur. I had to draw out this one pause because my voice was about to break, I was getting choked up by my story. The utter lack of moisture in my mouth was only an annoyance, and before I knew it, I was singing the final line, “There’s a hole in the bottom of the sea.”
It was incredible. I knew I’d fucked up in a couple moments, but no one else seemed to have noticed, or to mind. My workshopmates Amy and Manoosh were there and offered hugs, Nisha gave me a hug, and strangers thanked me for sharing. I had this stupid grin on my face, trying to process this elation and digest this experience, definitely wanting more.
Thank you to Matt Goldberg for letting me step in at the last minute.
HUGE thank you to Nisha Coleman for workshopping this story with me and providing critical feedback and words of encouragement. You’ve been there since the beginning and I was so happy to get to work with you on this.
Thank you to everyone who came to listen, and who expressed appreciation of my story. I learned a lot in writing it, and look forward to discovering more as I mine my past for new stories.
Finally, thank you to my grandfather, Eugene Hebert. I think of you every time I play the guitar.