Starting early (in notebooks)

I’ve been itching to go for a while, I had stuck a notebook in my bag with the plan of writing out Destiny longhand during the commute, taking advantage of those large chunks of time. April just wasn’t coming fast enough, though.

destiny notebook

Then I realized that I make the rules, and I can start before April if I like. Yesterday and the day before, I got several pages written in my little notebook. I counted the words from the first day, dismayed to find that I only write about 600 words in an hour. That’s no problem; if I can make myself use the train ride every evening to get writing done, I won’t beat myself up over the word count. It’s supposed to be a unit I use to motivate myself, not some bar I hang too high above my head.

So I’m not sure how this will play into Camp NaNoWriMo, but I’m happy as long as I’m continually making progress with my story.

I find with writing longhand, I have more time to think about the words I’m putting down.  I give myself the chance to consider other choices, to cut phrases shorter, to spend more time imagining the scene unfolding rather than just plunking down words rapidly. I’ve decided that even if I can’t make it to 50,000 words in a month, I want to write this whole thing out longhand before I put anything on the computer. Then, as I’m typing, I can make quick changes and get a sort of second draft out of it.

Another advantage is the payoff of seeing my handwriting covering a page. I enjoy typing, and tweaking fonts and whatnot, but no matter how much I customize them, the letters on a screen lack the identity my own scribble has. I love when I really get into it and write quickly, my words becoming a jumbled scrawl that only I can decipher. There is also the plus of not having to struggle with formatting in different word processors; I can indent as I like, throw in dashes, special characters, etc. I’m decent at computers, but it can break my rhythm to take a minute to figure out how best to format a particular bit of writing.

There is also the mobility of a notebook, having the entirety of the project in one place regardless of whether I have a cell signal or remaining battery. I will probably keep my outline in the cloud for when I need to consult it, but it’s nice to not have my chapter summaries nearby. I feel like I have more freedom to deviate.

One thing that remains distracting is my music choice. I really need to get off my ass and make some playlists to write to. I have a few albums that have a nice mood, but I have to gather my favorites and put them all together. I’ll work on that this weekend to be ready for the train next week.

It feels good to be writing again.

(Also, thanks to WordPress for sending weekly e-mail reminders that I haven’t been meeting my posting goal. I find them encouraging and guilt-inspiring, making me want to think of something to say and come write about it.)

Where ideas come from

Returning to work after some time off always sees a drop in my productivity on the writing front. The waking up early, the commute, the hours spent doing mundane tasks… all of these take away from time I could spend dreaming up new worlds.

Let’s be honest. I barely wrote during my time off. That changes now.

My reading has seriously slowed since I finished We Need to Talk About Kevin, though I did manage to finish the first book of A Series of Unfortunate Events (more on that later). I watched the film with my husband, who said it seemed designed to be deliberately uncomfortable. I enjoyed his perspective on Eva Khatchadourian, he felt that the flashbacks interrupting her life gave good insight into the mind of a woman trying to move on after tragedy, yet constantly being held back by her own thoughts.

Instead of reading, I have been indulging my desire to watch old anime and play a new Square Enix game.

I have been watching Cardcaptor Sakura, then making animated GIFs from my favorite magical scenes. For those unfamiliar with the magical girl classic, it tells the story of young Kinomoto Sakura, who inadvertently scatters a set of magical cards when she opens a mysterious book in the basement of her house. She is tasked with recovering them and given a magical key that can unlock the power of the cards and seal them away to prevent the mischief they are so keen to cause in her town.

Naturally, when I was younger and first fell in love with the series, I wanted nothing more than to find and loose a deck of cards and then hunt them down, acquiring their powers as I captured them and made them my own. I enjoy her can-do attitude, the support of her friends and family, and her increasing self-assurance as she gathers together the 52 cards.

Then, the game. Bravely Default, which I have seen described as a mix of Final Fantasy V and Final Fantasy Tactics, with a bit of Final Fantasy IX for good measure. The story is secondary and standard (final) fantasy fare: crystals go dark, a group of four must fight their way from one to the next to light them once more, etc. I haven’t gotten too far in the story yet, I’m having too much fun fighting long strings of battles to increase my characters’ proficiency at various jobs. Since it’s for the 3DS, I can play to my heart’s content on the commute to and from work; the time has never flown by so quickly.

What’s great about shows and games and films is that they are all fodder for the imagination. A line in one might inspire a subplot in something I write, or a system of government, or a tragic event. In Bravely Default, there is a clash between two ideologies: the Orthodoxy, which basically believes in worshiping the  Four Crystals; and the Anticrystalist movement which believes these old traditions are holding the world back from progress. There is something similar in Project: Destiny, though there isn’t much conflict between the guild of shadeweavers and the Church of the Sun.

While I’m here… I’ve given some thought to redesigning the headquarters of the Guild of Colors. My latest draft has the guild residing in the Prismatic Tower, but there are an awful lot of towers in fantasy stories. Old ideas are not always the best ones.

My goal is to get another chapter of Destiny drafted by the end of the weekend. I’ll have to see how to squeeze that in with my household project; we’re painting the bedroom.

Squandered opportunities

“The road to Hell,” right? I have managed to use my pear timer once, getting a good 800 words out before turning it to zero so that it wouldn’t scare the bejeezus out of me. Then yesterday afternoon, I sat and started writing a short story in my journal. It is my humble opinion that I am crap at short stories, though I have been in a couple of creative writing classes where we submitted short stories and did peer reviews of them. This one is about a painter who has a reputation for producing unique portraits that represent the innermost identity of the subject. It begins with her refusing to paint a client, claiming that he will not like what she creates.

I have kind of hit a lull with my reading, which I need to remedy; I have a list of books I’d like to read, I only have to stick them on my Kobo and go. Then again, being at home this week means not going out as much, and I do most of my reading on the commute to and from work. I have this nasty habit lately of going to bed when I am absolutely too tired to do any reading at all, lest I find myself considering the same sentence for minutes at a time.

I feel a little guilty about not using this vacation time to get a leg up on my writing. It has been excellent for disconnecting from work and recharging myself, for relaxing and enjoying my home space. The problem is, that all sounds very lazy. I have things I want to get done, and I have more time this week to do them, and I am squandering that opportunity.

Pear productivity

Last month, Alexandra Needham commented on a post of mine suggesting a way to get more productive 25 minutes at a time.

pear timer

 

While shopping at the dollar store yesterday, I snagged this pear-shaped timer. After attempting to scare my cats with it (they were unfazed), I set it on my desk and planned to use it to boost my own productivity. That isn’t to say that I haven’t been productive lately; I got over 4,500 words out over the course of the last week. I also wrote in my personal journal, reminding myself that no matter how much faster I am at the keys, there is something special about seeing a page covered in my hurried scrawl. When I write longhand, I feel like I’m always in a race to get the thoughts out before I forget them.

I would like to try writing daily for 25 uninterrupted minutes as an exercise. If at the end of that time I still feel inspired, I will let that momentum push me forward and write more. While the pear is ticking, I will refrain from looking up definitions or points of research; the details can be sorted out later. I’ve already disabled spellcheck in Scrivener since I can’t force myself to ignore those squiggly red lines as I write. Typos be damned, proofreading is part of the editing process anyway, so I won’t let it interfere with this step.

I am on vacation again, so it seems like the perfect opportunity to form new habits.

Another thing I’d like to do this week is flesh out the page for Project: Destiny, which is currently pretty sad.

Then Bravely Default will come out Friday and my productivity will go down the toilet…

Religion of Destiny

I’m getting back into the swing of writing on Destiny, which is fun and something like visiting an old friend (albeit a friend whose details I can change if I like). Older drafts have begun with Sehra waiting outside a house on the cliffs, something I’ve needed to change because what mother leaves her eight-year-old daughter to play with the edge of high cliffs nearby? This new draft begins with the death of Sehra’s father, the event that drives her mother to seek the aid of the witch atop the cliffs. This time, Sehra will be invited into the house instead of left to play with seashells.

One thing moving back has afforded me is a chance to introduce the dominant religion of the region in which Destiny mostly takes place. Two fisherman burst into a church, holding a third between them; the third fisherman is unconscious and in grave peril. His comrades bring him to the church to seek the aid of nuns, who are skilled in the healing arts. Also, a church is an apt location to pray for the health of a wounded friend.

I enjoy making up religions, taking elements from this one and that one to create an interesting set of deities and clergymen. There is the Church of the Sun, whose followers worship Destiny and Her Daughters and call themselves Followers of the Path. They believe that those who study and use “magic” are servants of Fate, the Unraveler. Magic-users, on the other hand, believe the universe was created by the Shaper, who bound the Oathbreaker and created six other deities to govern various aspects of reality. However, magic-users do not usually worship the deities of their paradigm.

“Honeycakes!” Sehra gushed, reaching out for one. Her mother pulled them away.

“What do we say before we eat?”

The girl grunted in frustration, then put both hands together and closed her eyes. “Our thanks to you, Destiny, for this bounty. Bless this food and all those who share it. Bless it by sea, sky and stone, as you have blessed me. By the Three, so let it be.”

“So let it be,” Donja repeated, smiling. Sehra grabbed a cake from the top of the pile and bit into its sticky sweetness with relish.

So here we have a bit of prayer, like saying grace before meals, that would be lacking from a magic-user’s routine. The Church of the Sun has ceremony and tradition, while the other has the practice of magic.

Destiny is begun

I’ve decided to give Destiny a go while I’m working on editing Climbing Yggdrasil. I got over 1,000 words out in the first sitting and am itching to get back to it. I made a realization yesterday, that I am hesitant to do any writing if I’m not sitting in front of my computer. There’s nothing stopping me from writing in a notebook or on the back of an envelope and typing it into Scrivener as soon as I can. I might even do a bit of editing or rearranging as I’m transferring from paper to computer.

I’ve built up all these mental blocks in my head about writing, it seems. “No, I can’t do that.” Why the hell not?

“You would have your husband tainted by the Unraveler’s power? You would make yourself a slave to one of his minions?”

“Anything to keep him with me.”

Brother Horas shook his head. “My child,” he said, “all Paths come to an end. If Destiny wills–”

“Fate is the one who ends the Path,” Donja interjected.

Early mornings, thinking on Destiny

My experiment in waking up early terminated rather abruptly when the lack of sleep caught up with me by Wednesday evening. I left my alarm where it was, but on its first sounding I pushed it back to my usual time and happily slept another hour. Thursday evening, I didn’t even bother; I set the clock straightaway to the later time.

Three mornings out of five isn’t too bad, right? I’m left unsure of what I’ll do this coming week, though. It was nice, it felt good to have more time to wake up before stepping out into the cold. One morning had me sleeping in the métro, head bobbing as the tunnels curved left and right. This leaves me getting to work feeling groggy and unfocused, nullifying the peaceful hour I spent in front of my computer.

There is also the fact that I am not doing much writing these days making it more attractive to stay in bed for that extra hour. I have it set in my head that I must devote all of my attention to Yggdrasil before setting off on another project. Every now and then, though, I wonder: can’t I do both? It’s like when I hop back and forth between two books that I’m reading; as long as they aren’t too similar, I don’t run the risk of confusing characters and events.

I worry about one project sweeping me too far away from another, though. If some grand inspiration should strike, I would be foolish to ignore it by saying, “No, I have to work on the other project now to be fair.”

I keep forgetting that what I should do is try new things and change tactics if they don’t work. There is no manual for this, no way to find out what works for me without first attempting it. A story left behind does not curl up and die, either; worst case, the words will sit there patiently for my return, like the myriad ideas I’ve scribbled down and left to gather dust. Perhaps they even ripen in my absence, growing fuller and more interesting.

I think I’ll go play in Destiny a bit to see where my head’s at.

Realistic fantasy, colors with substance

Having written on duality, especially that of creation and destruction, I’m thinking of elements in my oldest project. If you look at my blog’s header, you’ll notice the following four symbols:

fourprincipals

I have these tattooed on my inner right forearm; they represent four principal deities in Project: Destiny, and also the four domains of magic they govern. The symbols don’t derive any meaning from their shape. They are all manipulations of the orange symbol, the oldest and simplest of them.

Violet represents the duality of creation and destruction. In Project: Destiny, it also is the domain of reality and its boundaries.

Next is black, the color of chaos, secrets and lies. It also represents the future, as entropy dictates that order must descend into chaos; and thus mortality and death.

In opposition, white is the color of order, knowledge and truth; as well as the past. Black and white do not represent good and evil, however. Both lies and truth can be used to either end, as can chaos and order.

Orange is a special color in the world of Destiny. It represents many things, primarily oaths. In the world of Destiny, people are taught to never swear an oath to someone they cannot trust with their lives, as skilled “wizards” can use their power to bind the unwary to fulfill such an oath. Orange also represents language, blood ties, and humanity. This is in opposition to violet, whose power over creation and destruction can be compared to the power of gods.

Four other symbols complete this set, and these are tattooed on my left forearm: one for each of the classical elements of water, fire, earth and air. Together, these make up the eight colors of magic as portrayed in Project: Destiny.

I find it very important that magic have limits. If a character is backed up against the wall only to cast some kind of spell as a last resort, it needs to be realistic enough to be anticipated by the observant reader. If magical folk can spell their way out of any unpleasant circumstance by bending the laws of nature, they quickly become irritating. For this reason, I spend a lot of time on the way magic works in my fantasy projects. What does it cost the user? What can it do? How can it be beaten? When is it not worth the effort?

I feel like a learned a long time ago that for it to be worth the read, fantasy has to be realistic. The best-defined magic system can make all the sense in the world, and no one will give a damn if the characters aren’t interesting or don’t do anything worth reading about. Otherwise it’s all pretty colors without any substance underneath.

Managing my time

I had the great fortune to be on vacation for many days during the holiday season this past couple weeks. Now that I find myself in the middle of my first real week back, I notice that I am not blogging as much nor doing as much writing or editing. Curious, that.

I’ve read a lot about people who work to balance a full-time job (or school) with writing and the general sentiment seems to be that saving writing for the end of the day is a bad idea; work or school is invariably mentally and physically draining, leaving us with little left over to put on the page. Also, in the few hours I have at home before I go to sleep, I prefer to spend time with my husband instead of lock myself away to hammer at the keys for an hour or so.

I have given some thought to rising early for the sake of writing. To be honest, the idea of rising early for anything sounds unholy. Then again, I have gotten up earlier than usual and not suffered any terrible consequences; it’s actually easier to get up if I have some special reason to do so. It would be a nice, quiet (dark) time to collect thoughts and put them down. I couldn’t listen to music too loudly, but that’s a small compromise.

I can’t be on vacation all the time, sadly. I have to make the most of the time that I have.

How do you all balance life and writing?

Editing

Somehow, I started editing. Actually, it came from my husband’s desire to hear my work. I read aloud to him sometimes before bed, he finds the sound of my voice relaxing. I ended up reading him the first chapter of Climbing Yggdrasil, making mental notes all the while about what did and did not work for me. It’s strange, but after just over a week of sitting there, the book feels different. I’ve managed to successfully disconnect from it.

He mentioned that one particular bit of conversations seemed unnatural, designed only to inform the reader and not actually something that two people in that world would talk about. This morning, I added the following note to my manuscript:

2014-01-06 11.53.34

This morning, I asked him about several bits of information I felt uneasy about; I go on about the solar system and various aspects of the Corporation that runs it, all the while worrying that this information is boring and redundant, as much of it gets revisited in a more active manner later in the book. I worried that I was telling instead of showing. He said he felt that it was interesting and informative, and I said I would have to think on it to see if I kept it in. Readers need an introduction to the fictional universe they’re visiting, sure, but I’d rather take them on a guided tour than hand them an informative pamphlet. I may need more opinions here.

The big thing for me, though, was showing my work to someone else. True, he’s my husband and bound to treat my work with care and respect, but I have trouble showing things like this to anyone. This was an important first step for me, as was finding problems with my manuscript without getting upset or sad. These are not depressing facts, these are opportunities for improvement.

I plan to continue reading my book to my husband and getting his feedback, taking notes on really obvious things that need to be changed, on things that I need to think about, on things that might require more opinions to give me a better feel how different readers react to them. This naturally brings me to an awkward part, asking others to read what I’ve written. I think I have less of a problem with the initial question of, “Will you read this thing that I wrote?” Now my issue is, “Yeah, it’s over 300 pages, are you sure you’re okay with that?” Is that something I need to simply get over and let people who want to read my book decide if that’s too much of a commitment for them? I’ve read that a lot of people do exchanges to make things fair, and I’m interested in looking at other writers’ work and providing feedback.