It’s been a year already?

I apparently missed my one-year anniversary! I was notified by e-mail that my domain name was expiring (I actually let it lapse… oops…) and unfortunately, the last week had been too busy for me to do much about it. I’ve since renewed my domain, and have realized it’s long since time I come here for an update.

oops

Not much has been happening on the writing front, though I did start a new pantsing project today. For those unfamiliar, “pantsing” is a term thrown about the NaNoWriMo forums, used in opposition to planning. Pantsers typically do not outline their books, or do very little outlining; planners, on the other hand, make detailed outlines before beginning a project.

This blog has a lot of my personal musings on writing, some news as to what I’m working on, but there is a scarcity of actual creative writing here. With an idea to remedy that, I may very well post all of my pantsing project as I go along. I may also write a story entirely on Google Drive, with my phone as the main interface. That said, here is a sort of prologue for my pantsing project, which I will call “Maelstrom” for the moment.

Ran looked up at the concrete sky not far beyond her window, counting the pale lights that hung there, grim parodies of stars. She had read about stars and seen images of them in books, but they shone far above anywhere she was likely to ever go. So she counted the lights from her bed as she lay waiting for sleep to take her.

The alarm threw her rudely from already fading dreams. She stumbled from her bed and rubbed sleep from her eyes. Her feet found her tattered slippers and she shuffled off to the bathroom to begin her morning ritual.

Eight flights down to street level, a diminishing piece of toast hanging from her mouth as she bounded down the stairs. The building that housed her school stood nearly within view of her home, a few bridges from one tower to the next would save her half the trip.

The lights above now glared with yellow light meant to be reminiscent of the sun, though surely sunlight did not give such an unhealthy tint to skin. Ran had read about the sun as well, another near-mythical object as far as she was concerned.

She checked her watch as she exited the stairwell on the sixth floor of her school, breathing heavily, trying to regain a semblance of composure which failed when she saw the time. She hissed a curse and ducked back into the stairwell. She was late, and her teacher would have locked the door by now, forcing any tardy students to knock and make a spectacle of themselves.

Ran frowned, then continued up the stairs.

No building on her level had more than eleven or twelve storeys, the concrete ceiling preventing growth beyond that. Her school was one of the rare buildings with twelve floors, ceilings being lower in classrooms. Probably to make us feel more oppressed, she mused darkly. Ran climbed to the twelfth floor, where one door led out of the stairwell to faculty offices, and another was bordered in red with explicit warnings written all over it.

WARNING: EMERGENCY USE ONLY. ANY NON-JUSTIFIED USE WILL RESULT IN CRIMINAL CHARGES.

She narrowed her eyes at this, then pushed the bar. An alarm began to screech, echoing down the stairwell. She ignored it and went through, pulling the door shut behind her.

Another stair continued up, lights flashing red and white as a different alarm sounded this side of the door. She continued up, her thighs protesting as she gripped the handrail and pulled herself along. Ran listened for the sounds of boots tramping down from above, or up from below, certain that enforcers would be along to apprehend her in a moment. Why did I do that? she thought giddily.

As she made the next landing, she stopped short, staring at a strange glimmer on the wall. It was the size and shape of a door, and seemed flush with the concrete. Yet it appeared to have depth, leading into a dark tunnel. The edges wavered and shifted, and Ran knew instinctively that the apparition would soon be gone.

She summoned a bit of energy against the aching in her legs, and bounded into the strange tunnel. It faded behind her silently, leaving solid wall and no trace of the young woman.

Coming soon, news on Destiny and Climbing Yggdrasil!

Second draft of Climbing Yggdrasil

The second draft of Climbing Yggdrasil is finished!

yggdrasil ending

I had broken one chapter into three, in order to give the events of that chapter time to build and breathe. I really struggled with the second and third of those chapters, then I went off the scripted path and discovered meaning there, I ran with it, and it worked.

I came up with a “final” version of my blurb to send off to Ellie for the cover. Now that I have a page count, she can set the spine so that my next set of proofs has the proper cover.

I’m excited. There’s a vague sense of worry that maybe this excitement is premature. Maybe, once I read the second proof, I’ll see that this isn’t that much of a leap forward, that so much more work needs to be done. That’s tomorrow’s trouble, though, and the beauty of drafts is that I can take all the time I need to get it right.

I’m going to have a new proof copy in my hands within a few weeks! With my beautiful cover!

The Yggdrasil blurb

I’ve gotten some feedback, and I’ve used that to come up with something I don’t hate.

climbing yggdrasil 3d

Synchronizers are not supposed to awaken.

The comatose psychics who provide starships access to the central network sleep their lives away in coffin-like tanks. Their minds are broken by the process that creates them. This gives Captain Kandace Li Renwright some comfort, helping her to overcome her revulsion at the thought of acquiring one.

When Wendell wakes her from her sleep for a chat, she is faced with a pale, emaciated man who can speak into her mind. He claims to know nothing of who he used to be, and wants her help. The answers he seeks cannot be found on the network, only in the meticulous physical records the Corporation keeps. His past is locked in the maximum security facility where he was made into what he is.

Captain Kandace and her crew are about to embark on a mission to recover Wendell’s lost memories. They will bring him ever closer to his ultimate goal: punishing those who stole his life away from him.

I welcome any thoughts or comments. Would you read the book? Is there wording that seems clunky? What would you change? I just want to float this out there for a little while, and come back to it this weekend to settle on a final version, hopefully one that greatly resembles this one here.

The finish line is in sight

The second draft of Climbing Yggdrasil is all but finished. What remains is to fix the ending, which all happens rather quickly in the first draft. I did not build the suspense and let the events of the finale ring out as much as I should have. Upon reviewing the final chapter, I have found that it needs to be broken up into at least three chapters.

yggdrasil ending

Each of the colors except blue is getting its own chapter. The blue sections represent a different point of view that occurs at the same time as the action in the pink, green and yellow chapters. Notice that the green section takes up half a page, despite being the most important event of the novel. I remember being ready to just get the damn first draft over with, and so I hastily wrote the end instead of giving it the time it deserved.

New lesson learned: laziness in the first draft makes more work for the second. There is no getting away from doing what is necessary.

I drafted a new version of the blurb and have asked a few friends to give me their opinions. When I have taken all of their advice and used it to create a “final” version of the blurb, I will likely post it here and ask for comments. Once the blurb and second draft are finished, I can send the blurb and spine dimensions to Ellie to get a useable version of my cover. Then it’s off to CreateSpace to print up proofs of the second draft! I could have copies of my book with the new cover in my hand by early August!

In the interest of brevity and being better able to tag my posts accurately, I have decided to try to focus on one subject at a time. This means more posts! This also means categories will now contain more accurate posts going forward, so that I (readers) can find exactly what I’m (they’re) looking for instead of a bunch of posts covering two or three topics at once. This move has been inspired by my previous post, which I reblogged from Winter Bayne (thanks again!).

Making cuts, not second-guessing myself

The long weekend has been great for writing, I plan on keeping up the goals notebook as a source of motivation. I got the bulk of my work done on Saturday, which gives me hope that I can keep this up during ordinary weekends. I have five of those before my next stretch of time off.

One item on my list that I didn’t realize was such a tall order is the blurb for Yggdrasil. I have agonized, I have ask the advice of friends, and still I am not satisfied. I’ve poked around online and found that most writers hate writing blurbs, which comforts me somewhat. Comfort won’t get this damn thing written, though. I struggle with the idea of drawing in potential readers, and I can’t exactly write, “This story is interesting, trust me.” My name carries no weight to the vast majority of readers out there. This makes the blurb more important than the book in some ways.

I did a fair bit of work on the book itself. I finished importing my Yggdrasil notes to Scrivener and began working on the second draft. I scrapped a lot of text from the first chapter, so I combined it with chapter two to create a slightly longer introduction to Captain Renwright and her daring crew. Originally, I had a lengthy description of a mural in her bunk, the artistic representation of the central star Yggdrasil as a burning tree, complete with descriptions of the various worlds orbiting it. I suppose it was fine when I wrote it, but when I have a finished draft in which the crew of the Sylphid actually visits the worlds I blather on about in chapter one, it seemed redundant. So it’s gone. Forever.

Only… not quite. The great thing about using Scrivener is the ability to create snapshots. I created my first snapshot of each chapter as I finished it last year. I created a second after my notes were added, and a third to those chapters I’ve edited. It’s great for keeping me from second-guessing myself. It could be that I never roll back to a previous version, but knowing I can makes me braver about cuts and changes. After every major change, I take a snapshot of the chapter and move on.

One seemingly unimportant change I’ve made is to add a small graphic to separations of text. During editing, I stumbled across a break that happened at the bottom of a page; when I started the next page, it took me a moment to realize I had changed scenes. This is a common annoyance when I’m reading books on my Kobo; there is no symbol to indicate a separation of text, so when they end up at the bottom of the page they’re difficult to immediately notice.

It was a bit of a pain to find all such breaks in the text and insert the graphic I had chosen. Then I had to figure out how to tell Scrivener to keep the graphic centered when I output the file to eBook formats. That’s another lesson learned. Next, I’ll probably figure out how to make Scrivener output a perfect Word document formatted for upload to CreateSpace, with table of contents, headers and footers, etc.

Back to Scrivener

I’ve just realized that I should begin preparing for the next step of revision, the actual edits to the draft in Scrivener. As I started copying my highlights and notes from my proof to my computer, I realized that these notes are not nearly enough information for me to properly produce a second draft. To that end, I went into the notecard view of my manuscript and printed it: I got the synopsis of every chapter, three per page, on twelve pages. My entire story on a dozen sheets with plenty of room to write thoughts, justifications and feelings.

cy synopses

These notes will be vital in determining which chapters stay and which go. I want to have a solid reason for keeping every chapter, and I also want to write where new chapters need to be inserted to tie up loose ends or explain things that happen too suddenly toward the end. I’m starting to think that I might need a reread of the draft just for this, ignoring all the notes I’ve made about character inconsistencies, plot details, holes in the world, etc. This chapter justification is probably something I should have done first, so that any cut chapters won’t have already been marked up with notes for edits. I’m still making the rules up as I go, though, and the best lessons will be learned from my own mistakes.

I have reached the end of my book, with two chapters and two interludes left to mark up. I’m mostly tempted to throw them out completely and write a new ending, though. While I deliberate, I will continue transferring my notes to Scrivener at a rate of two chapters at a time (it’s very boring work) in between watching music videos on YouTube and other timesinks. I can also begin rereading the book while making my chapter notes. I can do this on my Kobo so that my more specific notes in my physical copy aren’t too distracting. Also, it’s a new Kobo and any excuse to play with it is a good one.

I got my second proof from Creative Digital Studios today (yesterday, by the time this goes live) and am absolutely thrilled. I asked for a few more changes and should have the final result by Friday, which I will definitely have to post about. This will likely light a fire under my ass in terms of getting Draft #2 ready so that I can get my hands on a physical copy with my brand-new, professionally-designed cover.

Momentum

The excitement of receiving my proofs has provided great momentum for tackling the first revision of my novel. I’ve made it through 15 chapters so far, and expect to continue at this pace until I reach the end.

There are few pages that don’t have some sort of mark on them. I’m not specifically trying to find something wrong on each page, I just want to find as much as I can. I expect that once I get to the end of the book, though, I’ll have to go through again; none of my notes so far have anything to do with pace or plot points. I’ve printed up a table of contents with enough space to write notes about each chapter, weighing the level of conflict, if the chapter is necessary to the story or to a character’s development, if the chapter serves some other purpose or should be cut entirely. These are the notes I can’t seem to fit into the margins.

I’m finding it less difficult than I expected to ignore awkward phrasing and typos, though sometimes they make me laugh or smile in the train. My favorites so far are writing “probably” when I meant “probability” and a scene that contains a “conversational silence”. Such things happen when flying at a breakneck pace through a first draft. These types of errors will be addressed at the very end, if the words make the cut. No sense getting bogged down with spelling and semantics if they’re just going to be changed anyway.

tomodachi yggdrasil

One thing my first draft lacks is physical description of the characters. Over the course of writing the first draft, I came to have a good idea of what they looked like. Since I’ve been playing Tomodachi Life on the 3DS, I decided to create each of my characters on the island as Miis. It’s very silly, but I have a graphical representation of things like hair and eye color, height, and dress, to a certain extent; as a joke, I gave Kandace a captain’s uniform and Wendell a pair of pajamas.

Tomodachi Life also lets you program the personality of each islander with five axes: slow-quick (movement), polite-direct, flat-varied (expressiveness), serious-relaxed and quirky-normal. I feel like I know my characters pretty well by now, but this could be a useful barometer for determining whether certain actions or utterances are out-of-character.

Finally, I spent last week exchanging e-mails with the Ellie Augsburger of Creative Digital Studios, who is wonderfully prompt and professional and friendly with replies to inquiries. I paid a deposit and signed a contract last weekend for a book cover design. She sent me an image today of what she’s got so far, which has got me pretty excited. I want to stare at it a bit and mull it over before I get back to her with ideas for changes. I only get two more rounds of proofs at my quoted price, I want to make them count.

Proof copies

My proofs finally came in!

cy proofs

I honestly wasn’t expecting them to have the cover I’d made in the cover designer. I expected something plain with the title and “PROOF” across the diagonal in faded lettering. This is much more exciting than that.

I had them delivered to work, so naturally some coworkers saw and I have been officially outed as a writer. I still feel as though I want to establish myself before letting people around me know, as though they’ll judge me for not having proven my worth as a writer. No one so far has done that to me, though. “Oh, you’re a writer? That’s great! What do you write? When can I read it?” It’s enough to give a man the warm and fuzzies.

I have gotten in contact with Creative Digital Studios with some questions about how they work. I’m hoping to get a nice cover out of them, but there is always the issue of payment. My first inquiry got a reply with an estimate of around $300, which really isn’t that much. I kind of like the idea of getting something done soon, printing it out in color and sticking it on the wall behind my computer screen to inspire me. Hanging it in my office could be neat too.

cy proof notes

Now that I have a convenient, paperback version of my first draft, I can carry it around with me and make notes on the train. I’ve scribbled my color-code on the inside of the cover, but I’ve memorized it by now. I’ll be indicating what chapter I’ve marked up to on the sidebar, more for me than for anyone else, but it’s there if you want to look at it.

The convenience of the proof does not in any way approach the awesome feeling of having a physical book in my possession with my name on it. All it took (apart from writing the thing) was a little bit of formatting, slapping together the preliminary cover, a credit card payment and time. It has the print date at the back; I received the proofs three weeks after printing. It printed the same day I ordered it.

I’m one step closer to having a finished, polished product.

Editing at last

Now that I’ve read through Climbing Yggdrasil once, I’m ready to go back with my pen raised and mark the hell out of it. I have post-it flags and matching highlighters in four colors, so I’ve decided to focus on four elements for this next run.

Story
This is the big one. Does the scene or chapter advance the story? Is it consistent with what has gone before? Does a scene foreshadow something coming later? Does it make sense? Where I’m going to have the most work with this one is the opening chapters of the book. When I began the story, I excitedly babbled about it to a friend who asked me, “Why did you start it there? Shouldn’t you have begun earlier?” My original starting point is now chapter eight, so the beginning of the book came after I had already written several chapters, causing consistency errors.

Character
Do the characters show any development over time? Are they consistent? Are their actions convincing given their personalities? Do their actions reveal feelings and thoughts? I feel like the synchronizer and the captain are the only characters that show any change over time as of this moment, and that should change. I’m not saying every character should change by the end of the story, but they have to feel realistic and show realistic growth as they endure their trials. I also have two characters who are pretty much interchangeable in most situations, so I should to more to make them distinct from one another.

Show / Tell
Every writer knows (or should know) this one: show, don’t tell. I’ll be paying particular attention to adjectives and adverbs; they aren’t evil, but their use needs to be justified and occasional. I also want to focus on dialogue tags, trying to work adjectives or actions there into the dialogue so that what the character says reveals something about what’s going on.

The World
Is there enough detail? History? Religion? Does the story give the reader an accurate picture of the setting? Show and tell is very important here, too. It’s important not to bore the reader with pages of history and description, but rather show off the world as the characters explore the solar system, and let the reader infer certain things rather than smack them with statements.

I had originally wondered if each element would get its own reread, but I don’t think I can work that way. I think I’ll be doing multiple rereads and edits, each time trying to find more to correct until I have it as close to perfect as I can get it. I’ll make a snapshot of each version in Scrivener just in case, but I think I’ll do my best to refrain from restoring cut material.

It’s so strange to be making all this up as I go along, but until I try it a certain way, I have no idea if it works for me.

Cover art and self publishing

I have uploaded my first draft of Climbing Yggdrasil to CreateSpace, designed a cover, and ordered proof copies for scribbling in. They’ve estimated I should have them by June 2, in time for me to start a second read-through looking for problems to correct. The book is not as frighteningly bad as I expected it to be, I actually came up with some good stuff somehow! I was most concerned about the end, because I kind of rushed through the last few chapters. The chapters themselves don’t feel rushed, but it’s clear there ought to be more chapters between the ones I have to flesh certain things out so that the reader doesn’t think, “Wait, when did that happen?”

climbing yggdrasil

This generic cover won’t do for final publication; I’ve done some looking into professional cover designers and really liked what I saw over at Creative Digital Studios, but it comes down to being able to justify paying for it. There are other avenues to pursue, and I believe I’m still early enough in the editing process that I shouldn’t be rushing to have a nicer cover done just yet.

I think in the beginning of this whole adventure, back in November when I realized I would actually make it to 50,000 words and finish a book for once, I wanted to try getting it published through traditional channels. Then one of the winner goodies from NaNoWriMo was a code good for two paperback copies of my book through CreateSpace, so I started checking them out and learned how easy it is to self-publish that way. After a message to customer support, I learned that this code is not valid for proof copies; I would have to submit my book for publication in order to redeem two free copies of the final product. I don’t think I’ll be ready by the time the code expires.

The more I played with CreateSpace, the more attractive the idea of self-publishing my first novel became. This wouldn’t mean I couldn’t try a later book through a publisher; it might even help to have a self-published book floating out there (assuming it gets positive reviews; I’ll have to make sure it’s good enough to do that). I could be entirely wrong, publishers might look at a self-published author as some kind of terrible amateur who has no business trying to gain traction in the world of traditional publishing.

I just want to get my work out there for people to read, though. I’d like to have a final draft polished and ready to go up on CreateSpace by November. I should probably figure out what I’m going to do about a cover in the coming months, then.

Anyone have experience with publishing, self or otherwise? What has that been like for you?